Claire Giangravé

4 min read ⭑

Catholic Hollywood director D.J. Caruso (“Disturbia”) set out to tell the story of Mary as seen through her own eyes, in a new film available on Netflix Dec. 6. “You may think you know my story,” Mary tells viewers at the start of the film. “Trust me, you don’t.”

Caruso’s “Mary,” starring veteran actor Anthony Hopkins (“Hannibal,” “Noah”) as King Herod, takes viewers from Mary’s own birth to the delivery of her son, Jesus, to the holy temple of Jerusalem. Alongside familiar scenes from the Christmas story — the annunciation, the manger birth, the visit of the wise men — the film offers a more harrowing look at the dangerous reality Mary and Joseph faced as Herod’s forces pursued them to kill the infant Jesus. But amid the high stakes of the tale, Caruso wanted Mary and her husband, Joseph, both played by relative newcomers, to come across as relatable to all viewers.

“The world needs to see Mary, and they need to see her in a new light,” Caruso said in an interview with RNS on Wednesday (Dec. 4). “My goal was to see if I could present Mary in a beautiful way, in a way that a younger audience could see her and relate to her as not just this beautiful, iconic holy mother, but as a young girl who had to make sacrifices and struggle and deal with things that a lot of the contemporary youth are dealing with today.”

Caruso visited Rome to have his movie blessed by none other than Pope Francis, after a mutual connection helped him get a front-row seat at the pontiff’s weekly general audience in St. Peter’s Square on Wednesday. The director presented the pope with a yellow scarf, featured in the movie.

While the movie is made from a Catholic perspective, due to Caruso’s personal faith, the director said he hopes the film makes Mary “accessible to all beliefs, to all Christians, to Muslims, to everybody and even to those who don’t have faith.”  

Some controversy has surrounded the feature, as critics on social media have called for a boycott of the film for casting Israeli actors to play major roles, arguing they should have been Palestinian instead. Meanwhile, Catholic conservatives have voiced qualms on Facebook, complaining the movie does not reflect the ideas of Mary they were raised with and taught.

Caruso understands that making a movie about such a pivotal religious figure can be controversial but said he focused on what people agree upon in their devotion to Mary — not their disagreements. “If you make the movie from love and adoration for, you know, the greatest woman that ever walked this planet, and that was my approach, then I feel like, until people see the movie, they’ll understand and appreciate what we’re trying to do,” he said.

He selected Noa Cohen to play the central role of Mary. “She had this grace, and she had this beauty, and she carried herself in such an amazing way. But what I thought was the most important aspect of her is that she’s incredibly accessible,” Caruso said, adding that her interpretation showed someone who “can also be your best friend, someone you can hang out with, someone you can trust.”

Ido Tako interprets the role of Joseph, who is younger in the film than how he is described in Scripture. Caruso said he was inspired by the late Bishop David O’Connell, who was his spiritual leader, in telling the story of Joseph, who in the Gospel is never given a voice.

“He said, ‘Joseph is a hero who defended his wife and defended his baby, and you need to let people know that,’” Caruso said, reporting a conversation with the bishop. O’Connell, who was the auxiliary bishop in Los Angeles, was shot to death in 2023.

Cohen and Tako are still generally unknown to the public. Caruso said he wanted the characters to be played by actors “with no cinematic baggage,” to allow viewers to focus on the story instead of the stars on the screen.

This wasn’t the case for Herod, interpreted by Hopkins, who delivers a brooding performance of the cruel and tyrannical ruler. At 86, the famed actor is reflecting on his spirituality and faith, Caruso said, and he offered a portrayal of Herod as an old man coming to terms with his mortality, and God, despite his earthly power and achievements. “It just made Herod that much more complicated than just being the bad guy,” he said.

Caruso said he attempted to make “every frame a painting,” with the use of light, texture and lenses. “If I’m going to make a movie about Mary, I’m going to make it the best movie I can possibly make as a gift to God,” he said. Despite the low budget, the movie manages to deliver a rich and textured aesthetic. This is in large part thanks to costume designer Tina Kalivas, who combined the draping usually associated with biblical stories with the billowing fabrics of ancient Japanese clothing.

For Caruso, the world needs Mary now more than ever. During the scene of the annunciation, when Mary tells the Archangel Michael that she accepts God’s will for her to bear Jesus, he said he was moved to tears while operating the camera. “That is a perfect message for the young people, to surrender it all to God,” he said.

Claire Giangravè is a Rome-based reporter for RNS. Before joining RNS in 2019, Giangravè was at Crux Catholic Media Inc., where she served as a faith and culture correspondent. She also previously worked at CNBC/Class Editori, ForexInfo.it, PBS and MSNBC News.

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